A signed and numbered 721/800 print entitled "Reflections from the Shadow Spirit" by J.D. Challenger (American, b.1951), depicting a Native American warrior standing by a window draped in a geometric blanket in a vibrant "Eye Dazzler" pattern, while a silhouette of a warrior on horseback is seen standing outside. Included is a Certificate of Authenticity from the publisher, Somerset House, en verso. The piece is shrink-wrapped on board and measures approximately 28" x 29".

A signed and numbered 325/1000 print entitled "Somerset Bridge" by Diana Amos (Bermudian, 20th/21st Century) showcasing the historic Somerset Bridge in Bermuda, recognized as the smallest working drawbridge in the world. The scene shows the tiny manual drawbridge mechanism alongside coastal teal Bermudian architecture with white stepped roofs in her semi-realistic watercolor style. It is enclosed within a matching teal mat and a silver-toned frame; there is a small crack in the lower corner as photographed. The piece measures approximately 16" x 22" overall.

Four colorful nature-themed pieces of artwork including a numbered 102/350 print entitled "Love is Blind" accompanied by a numbered 33/857 print depicting a birch forest, both by Alaska artist Katie Sevigny (20th/21st Century). Also includes a piece of watercolor artwork depicting a wolf by Alutiiq artist Helen J. Simeonoff (1941-2011), matted and framed, plus a print depicting sea stars and a crab on a bed of mussels with an illegible signature in the bottom right. The marine animals print measures approximately 19.75" x 15.5" overall.

A signed and numbered 22/150 print by Alaska artist Teri Jo Hedman (20th/21st Century) featuring a unique, mid-century modern geometric composition with three minimalist tufted puffins swimming in a stylized ocean defined by crisp white perspective lines and punctuated by flat, angular icebergs floating on the surface. A series of squiggles form towering glacial ice walls set across a dark blue sky. The piece is matted and framed, showing a small crack in the corner of the glass alongside some trapped organic material beneath as photographed; it measures approximately 19.5" x 25" overall.

A print by Patrick Nagel (American, 1945-1984) entitled "The Book" and featuring a stylized, minimalist portrait of a woman with striking pale skin, prominent blue eyes, and bold dark lipstick looking directly at the viewer. She is depicted with voluminous, jet-black hair styled in a dramatic, swept-up fashion that cuts across the pale blue-grey background. A high, structured high-collared coat or wrap in deep burgundy and plum tones covers her lower face and shoulders, accentuating her sharp jawline. It was a promotional art print released by Mirage Editions in the fall of 1985 to celebrate and accompany the launch of the famous retrospective art book titled Nagel: The Art of Patrick Nagel. Framed under plexiglass, it measures approximately 36.5" x 26.5" overall. Note Regarding Shipping Services: This item is exceptionally large and/or heavy, and may require custom boxing or crating depending on the intended destination and available carrier services. For more information prior to bidding, please email us at Shipping@AlaskaPremierAuctions.com or call/text us at 907.570.7050.

A signed and numbered 11704/13238 print by Bev Doolittle (American, b.1947), entitled "Guardian Spirits" depicting a Blackfoot Brave wearing a wolf headdress, and riding with the feathers, pelts, and claws of his animal guardians. It is matted and framed under glass, measuring approximately 32" x 29" overall.

A print by Alaska artist Michael Chambers (20th/21st Century) depicting a view of Gig Harbor, Washington, with fishing boats docked in the marina, and the snow-capped silhouette of Mount Rainier towering under a striking blue sky in the background, alongside a print showcasing a sailboat cutting through choppy waves, navigated by two crew members as it glides past a lighthouse. Both are matted and framed, and the larger measures approximately 28" x 24".

A signed and numbered print by Bev Doolittle (American, b.1947), entitled "Guardian Spirits" depicting a Blackfoot Brave wearing a wolf headdress, and riding with the feathers, pelts, and claws of his animal guardians, which have become lifelike, all faces looking directly at the viewer. It is matted and framed under glass and measures approximately 31.5" x 28.5".

A commercial multiple cast paper sculpture depicting a pod of orcas backgrounded by pine trees and mountains signed on the backing by artist Wesley "Wess" Smith (American, b.1958) who designed the piece for Figi Graphics. The piece is accented with matting and framed under glass. It measures approximately 20" x 40" overall.

Three matted fish prints including a signed and numbered 129/500 print entitled "Spawning Red Salmon" by Alaska artist Sandee Elvsaas (20th Century). Also includes two Japanese-style Gyotaku prints, one depicting an Arctic Grayling caught in Juneau, Alaska by Alaskan artist Corinne Danzl (b.1964) accompanied by another depicting an Alaska coho salmon at its silver and red spawning phases by Ron Graham (American, 20th Century). The coho salmon print measures approximately 15" x 20".

A signed, hand-carved, and hand-painted wooden relief panel by artist D.J. Sesler in Alaska. The piece portrays a pair of Indigenous canoe vessels, taking inspiration from traditional Haida and Kwakwaka'wakw nations. A handwritten inscription en verso reads, "Two Potlatch or war canoes of the Haida or Kwakiutl Tribes. The foremost canoe is of the Killer Whale Clan, the rear canoe is of the Wolf Clan". The Killer Whale vessel showcases a blue foundation coat with a bow fashioned into a bird head with a dark maroon curved beak and eyes rimmed in blue, while the Wolf Clan craft features a cream-colored body with a miniature brown wolf figure perched upon its bow. Both components are sculpted three-dimensionally against the wood background, and the piece measures approximately 11.5" x 32".

A signed and numbered 157/250 print by Alaska artist Byron Birdsall (1937-2016), titled "Showtime!" depicting what is likely the opening night of the showing of Phantom of the Opera at the Alaska Center for the Performing Arts. It is matted and framed, measuring approximately 21" x 28" overall.

A signed, hand-carved, and hand-painted burl wood panel by artist Sesler, showcasing an orca head executed in a Northwest Coast Indigenous formline style. Reflecting a traditional Haida or Tlingit aesthetic, the artwork features prominent black linework complemented by red and white highlights that contrast against the natural wooden grain and its distinct eye clusters. The piece measures approximately 6.5" x 14.5".

A signed and numbered 10/40 print entitled "Tlingit Basket Geese" by J. Hopkins, a stylized, minimalist depiction of three geese using bold shapes and a two-color palette of blue and yellow. Matted and framed.

Landscape artwork including signed "Sewers Allure" photograph by Alaskan photographer Ed Boudreau, matted and framed under glass, "Eldred Rock Light" print by Donna Elias (American, 20th/21st Century), matted and framed under glass with artwork information and artists biography en verso, signed "Chugach State Park" print with dedication by Alaska artist Byron Birdsall (1937-2016), matted and framed under glass, black and white photograph, no artists signature readily visible, and a print by Betty Vestuto (American, 20th/21st Century), matted and framed under glass. The largest artwork measures approximately 12.75" x 28.5" overall

A signed and numbered 300/1049 print signed by James Havens (American, b.1968), titled "Spirit of the Iditarod". Artwork is autographed by Iditarod mushers, including six-time champion Dallas Seavey, three-time champion Mitch Seavey, and Dan Seavey. It is framed, measuring approximately 26" x 38" overall. Note Regarding Shipping Services: This item is exceptionally large and/or heavy, and may require custom boxing or crating depending on the intended destination and available carrier services. For more information prior to bidding, please email us at Shipping@AlaskaPremierAuctions.com or call/text us at 907.570.7050.

Vintage portraits, including an oil painting of a man in a black suit and bowtie and a charcoal piece of an elderly couple, alongside signed hand-drawn graphite drawings of notable figures by artist George Hooper (British, 1910-1994), such as Greta Garbo, Thomas A. Edison, Lawrence Tibbett, Will Rogers, and more as pictured. Also included are portrait photographs of an elderly woman and a young bride. Four of the pieces are framed, and the largest measures approximately 23" x 19" overall.

Prints and posters including "Painted Ladies" by Alaska artist Barbara Lavallee (b.1941), shrink-wrapped on board, Monterey Bay Aquarium Whalefest 1988 poster by Richard Pettit, framed under glass, Stonington Gallery print signed and numbered by Alaska artist Sam Kimura, shrink-wrapped on board, and a small print by Janet Quaccia, titled "Friends", matted with some overall discoloration and marks. The largest measures approximately 24" x 30" overall.

A print by Alaska artist Sydney Laurence (1865-1940) depicting Mt. McKinley's snow-covered mountain peak rising through a sea of swirling white and light-blue clouds. In the foreground, the dark, shadowed Tokositna River valley contains twisted, weather-beaten spruce trees and a rugged terrain that emphasize the harshness of the wilderness. The winding river cuts through the middle ground, shimmering as it flows from the base of the misty, jagged foothills. The entire scene is bathed in a cool, atmospheric color palette of deep blues, indigos, and stark whites, capturing the silent, monumental scale of the Alaskan environment. Sydney Laurence was the first professionally trained artist to settle permanently in Alaska, moving there in 1904 during the tail end of the Gold Rush. After a few unsuccessful years spent prospecting for gold, he returned to his craft full-time and set out to capture the vast, atmospheric scale of the northern wilderness. He became the territory's most prominent painter, best known for his definitive, signature depictions of Mt. McKinley, as it was known at the time, in its many changing moods. Today, his frontier artworks serve as foundational pillars of early twentieth-century Alaskan art history. Housed in a period wood frame, it measures approximately 26.5" x 22.5" overall.

A signed and numbered 416/750 print by Alaska artist John Fehringer (b.1954) entitled "Northern Lights" depicting a nighttime coastal cityscape illuminated by the lights of buildings and backgrounded by snow-blanketed mountains, similar in style to the works of Byron Birdsall, matted and framed.