A pair of Stanrite No. 500 Classic aluminum studio easels by Testrite Instrument Co., Inc., each with a top clamp and an attached Testrite Fotolite Sela adjustable aluminum reflector lamp. The folding tripod easels have three-section telescoping legs with manual thumb-screw knobs and 21" x 1.5" adjustable canvas trays with palette holders. The easels accommodate canvases from 3" to 48" high and adjust from tabletop use to approximately 69" high as floor displays. Each weighs approximately 7.5 pounds. With its lamp extended, each measures approximately 48" x 34" x 76" high when upright at a 90-degree angle; depth adjusts from 29" to 34" depending on the angle. Both lamps tested to power on at time of cataloging; we are unable to ship the light bulbs.

A pair of Stanrite No. 500 Classic aluminum studio easels by Testrite Instrument Co., Inc., each with a top clamp and an attached Testrite Fotolite Sela adjustable aluminum reflector lamp. The folding tripod easels have three-section telescoping legs with manual thumb-screw knobs and 21" x 1.5" adjustable canvas trays with palette holders. The easels accommodate canvases from 3" to 48" high and adjust from tabletop use to approximately 69" high as floor displays. Each weighs approximately 7.5 pounds. With its lamp extended, each measures approximately 48" x 34" x 76" high when upright at a 90-degree angle; depth adjusts from 29" to 34" depending on the angle. Both lamps tested to power on at time of cataloging; we are unable to ship the light bulbs.

A pair of Stanrite No. 500 Classic aluminum studio easels by Testrite Instrument Co., Inc., each with a top clamp and an attached Testrite Fotolite Sela adjustable aluminum reflector lamp. The folding tripod easels have three-section telescoping legs with manual thumb-screw knobs and 21" x 1.5" adjustable canvas trays with palette holders. The easels accommodate canvases from 3" to 48" high and adjust from tabletop use to approximately 69" high as floor displays. Each weighs approximately 7.5 pounds. With its lamp extended, each measures approximately 48" x 34" x 76" high when upright at a 90-degree angle; depth adjusts from 29" to 34" depending on the angle. Both lamps tested to power on at time of cataloging; we are unable to ship the light bulbs.

A pair of Stanrite No. 500 Classic aluminum studio easels by Testrite Instrument Co., Inc., each with a top clamp and an attached Testrite Fotolite Sela adjustable aluminum reflector lamp. The folding tripod easels have three-section telescoping legs with manual thumb-screw knobs and 21" x 1.5" adjustable canvas trays with palette holders. The easels accommodate canvases from 3" to 48" high and adjust from tabletop use to approximately 69" high as floor displays. Each weighs approximately 7.5 pounds. With its lamp extended, each measures approximately 48" x 34" x 76" high when upright at a 90-degree angle; depth adjusts from 29" to 34" depending on the angle. Both lamps tested to power on at time of cataloging; we are unable to ship the light bulbs.

A pair of Stanrite No. 500 Classic aluminum studio easels by Testrite Instrument Co., Inc., each with a top clamp and an attached Testrite Fotolite Sela adjustable aluminum reflector lamp. The folding tripod easels have three-section telescoping legs with manual thumb-screw knobs and 21" x 1.5" adjustable canvas trays with palette holders. The easels accommodate canvases from 3" to 48" high and adjust from tabletop use to approximately 69" high as floor displays. Each weighs approximately 7.5 pounds. With its lamp extended, each measures approximately 48" x 34" x 76" high when upright at a 90-degree angle; depth adjusts from 29" to 34" depending on the angle. Both lamps tested to power on at time of cataloging; we are unable to ship the light bulbs.

Two signed Artist's Proof photographs by Alaska wildlife photographer Johnny Johnson (1947–2025). "Polar Dawn", c.2004, shows a mother polar bear resting with her cubs in the warm light of dawn. Their coats glow amber against the blue-violet snow. The artist's description reads: "On the frozen plains of Cape Churchill near Canada's Hudson Bay, a family of polar bears watch the dawn. The small cubs of the year rest snugly against their protective mother - all eyes alert to the new day." "Polar Bear & Cubs", c.2004, follows a mother and her two cubs across the pack ice of Hudson Bay, Canada. The cubs move close behind her through an open field of broken ice. Both are signed, dated, and marked A/P in gold leaf ink and printed on Fuji Crystal Archive Supergloss paper. The photographs are shrink-wrapped on board. The largest photograph measures approximately 20.5" x 24.25".

Two signed Artist's Proof photographs by Alaska wildlife photographer Johnny Johnson (1947–2025). The first "Polar Bear Standing" photograph, c.2004, depicts a large male upright on the frozen shore of Hudson Bay, Manitoba, Canada. Its mouth is open and its broad forepaws are held in front of its body, while the pale fur nearly blends into the snowy background. The second "Polar Bear Standing" photograph, also c.2004, shows a large male standing on the Hudson Bay ice pack. The bear faces the viewer with both forepaws raised against its chest, surrounded by patches of dark ice and snow. Both are signed, dated, and marked A/P in gold leaf ink and printed on Fuji Crystal Archive Supergloss paper. The photographs are shrink-wrapped on board. They measure approximately 24.5" x 20.5".

A signed photograph by Alaska wildlife photographer Johnny Johnson (1947–2025), "Denali Greets the Dawn", c.2004, numbered 83/950. Three bull caribou stand on the open tundra below Denali as morning light reaches its snow-covered slopes. Gold and rust-colored plants fill the foreground, while the mountain rises behind them in sharp whites and cool blue shadow. The accompanying artist's biography identifies Denali National Park and notes that the photograph was taken in August with an 80-200mm lens. The photograph is signed, dated, and numbered in the lower left corner in gold leaf ink and printed on Fuji Crystal Archive Supergloss paper. Also included is a 1997/98 The Art of Johnny Johnson Limited Edition Ilfochrome photographs catalog. The artwork is matted and framed under glass, measuring approximately 18.25" x 21.25" overall.

Two signed Artist's Proof photographs by Alaska wildlife photographer Johnny Johnson (1947–2025). The first work, an untitled landscape dated c.2004, depicts a polar bear approaching a village guarded by three sled dogs. The animals are spread across the low, frozen shore under a subdued blue-lavender sky. "Brown Bear Silhouette", c.2004, shows a brown bear in Naknek Lake at sunset in Katmai National Park, Alaska. The bear and jumping red salmon are dark against the bright water, beneath a narrow strip of golden sky and a black line of trees. Both are signed, dated, and marked A/P in gold leaf ink and printed on Fuji Crystal Archive Supergloss paper. The photographs are shrink-wrapped on board. The largest photograph measures approximately 16.5" x 20.5".

Two signed photographs by Alaska wildlife photographer Johnny Johnson (1947–2025). "Emperor Penguin Rookery", dated 2004 and marked A/P, shows emperor penguins below a grounded iceberg with an arched opening at Atka Bay, Antarctica. The second photograph, "Frozen Eden", is dated 1998 and numbered 22/450; it shows an emperor penguin colony with chicks among massive tabular icebergs. The first photograph carries a Cibachrome/Ilfochrome information sheet. The second carries a Crystal Archive Supergloss information sheet. Both have artist information on the reverse and are shrink-wrapped on board; the larger measures approximately 16.75" x 25".

"Sudden Encounter", c.1991, is a signed photograph by Alaska wildlife photographer Johnny Johnson (1947–2025), numbered 902/1800. The accompanying artwork description leaflet reads: "Grizzly bear female with two yearling cubs stand to look for other bears in McNeil River State Bear Sanctuary, Alaska. Along the glacier-fed McNeil River on the western shore of Cook Inlet's Kamishak Bay, grizzly bears congregate in unusual number to feed on salmon. Feeding can be dangerous for the females with cubs as male grizzlies have been known to attack and kill young cubs. On this June day a mother grizzly was attempting to traverse the deep sedge grasses along Mikmik Creek where a lot of other bears were fishing. Anxious to locate the other bears, she often stood to get a better view. Once to my great pleasure, the cubs imitated their mother and stood beside her." The photograph is signed, dated, and numbered in the lower left corner in gold leaf ink and printed on Fuji Crystal Archive Supergloss paper. The artwork is matted and framed under glass, measuring approximately 20.75" x 17.75" overall.

Four signed Artist's Proof photographs by Alaska wildlife photographer Johnny Johnson (1947–2025). "Steller Sea Lions", c.1991, depicts a colony resting on a steep, rocky haulout in Kenai Fjords National Park, Alaska. The sea lions cluster on dark shelves above the white surf, their tawny coats visible against the rock. "Harp Seal Pup at Sunset", c.1993, shows a pup resting among broken sea ice beneath a purple sunset sky. The low light colors the snow and the pup's soft coat pink, while its dark eye and muzzle remain sharply visible. "Mallards in the Mist", c.2004, depicts ducks lifting from the water through heavy pink mist. The birds at the front remain distinct, while those farther back fade into the haze. The fourth work, untitled and dated 2004, shows a band of mature male Dall sheep rams on a dark hillside. Their white coats and curled horns stand out against the deep shadow, with the animals facing the viewer from different points along the slope. All photographs are signed and dated in the lower left corner in gold leaf ink and printed on Ilfochrome. Care information and the artist's biography appear on the reverse of two photographs. Each photograph is shrink-wrapped on board, and "Harp Seal Pup at Sunset" measures approximately 20.5" x 16.5".

"Reflections", c.2006, is a signed photograph by Alaska wildlife photographer Johnny Johnson (1947–2025), numbered 98/950. It shows Mt. McKinley reflected in Wonder Lake. The accompanying artwork description leaflet reads: "Many people consider the view of Mt. McKinley from Wonder Lake to be a 'wilderness masterpiece'. They're right! It takes your breath away in any season, but in September as the caribou migrate through the multicolored tundra and the honking of thousands of sandhill cranes cracks the silence-it is truly magic." The photograph is signed, dated, and numbered in the lower left corner in gold leaf ink and printed on Fuji Crystal Archive Supergloss paper. Also included is a postcard with multiple Johnny Johnson images and a 1997/98 The Art of Johnny Johnson Limited Edition Ilfochrome photographs catalog. The photograph is matted and framed under glass, measuring approximately 29" x 33" overall.

"Denali Greets the Dawn", c.2004, is a signed photograph by Alaska wildlife photographer Johnny Johnson (1947–2025), numbered 84/950. The accompanying artwork description leaflet reads: "Sometimes rising at 5:00a.m. pays off! At the South end of Wonder Lake are some low rolling hills that offer spectacular vistas of Mt. McKinley (20,320'). My wife, Peggy was first to spot the three caribou bulls. Hidden behind some willows, I took several pics before they caught our scent and moved away." The photograph is signed, dated, and numbered in the lower left corner in gold leaf ink and printed on Fuji Crystal Archive Supergloss paper. Also included are a 1997/98 The Art of Johnny Johnson Limited Edition Ilfochrome photographs catalog and an artist's biography sheet. The artwork is matted and framed under glass, measuring approximately 21" x 18" overall.

Two Artist's Proof photographs by Alaska wildlife photographer Johnny Johnson (1947-2025), both signed and dated 2004. "Frozen Eden" shows an emperor penguin colony at Cape Darnley, Antarctica, with adults and their downy chicks gathered beneath towering walls of ice. Warm sunlight catches the birds and the deeply carved faces of the icebergs, while a bank of dark cloud hangs over the distant ice. Brown chicks nestle among the black-and-white adults, and smaller groups extend across the snow toward the great frozen walls beyond. The golden light brings an unexpected warmth to this remote Antarctic nursery. "King Penguins" follows a loose procession of birds across the snow at Right Whale Bay, South Georgia. Yellow-orange neck markings stand out against their white breasts and dark backs, with two birds near the front turning toward one another, their flippers extended. Behind them, a steep mountain rises from the shore, its dark rock faces divided by broad slopes and narrow gullies of snow. Low cloud obscures the summit, leaving the penguins' animated gathering beneath a vast, wintry backdrop. Both photographs are signed and dated in gold leaf ink and marked A/P. Their accompanying information sheets describe Cibachrome/Ilfochrome prints. They are shrink-wrapped on board, with the larger measuring approximately 20.5" x 24.5".

"The Wild Bunch", c.2014, is a signed photograph by Alaska wildlife photographer Johnny Johnson (1947–2025), numbered 17/950. The accompanying artwork description leaflet reads: "In the world of momma grizzlies, bringing three youngsters into their second summer is a real success story. Now mom must teach her rowdy yearling triplets how to find food, how to cross a river, and where to dig a den. Of course, there is still time for fun. The triplets favorite game was 'king of the hill' using mom as the mountain-a real hoot to watch!" The photograph is signed, dated, and numbered in the lower left corner in gold leaf ink and printed on Fuji Crystal Archive Supergloss paper. Also included are a 1997/98 The Art of Johnny Johnson Limited Edition Ilfochrome photographs catalog and an artist's biography sheet. The photograph is matted and framed under glass, measuring approximately 17.5" x 20.5" overall.

Two signed Artist's Proof photographs by Alaska wildlife photographer Johnny Johnson (1947–2025). "Bald Eagle in Flight", c.2004, depicts an eagle banking before a green forest backdrop. Its broad black wings are fully spread, with the white head and fanned tail clearly visible against the soft foliage. "Mallards in the Mist", c.2004, shows ducks rising from the water through a heavy pink mist. Their dark wings and bodies are scattered above the flock, with distant birds almost lost in the colored haze. Both photographs are signed and dated in the lower left or right corner in gold leaf ink and printed on Ilfochrome. A care guide and artist's biography are included on the reverse. Each photograph is shrink-wrapped on board, and "Bald Eagle in Flight" measures approximately 20" x 16.5".

"High on Denali" is a signed photograph by Alaska wildlife photographer Johnny Johnson (1947–2025), numbered 12/950 and bearing a ©2007 inscription. The artist's website describes the scene: "An Alaskan bush pilot guides his DeHavilland Beaver over the Tokositna Glacier into the heart of Denali's Southeast face. Getting up-close and personal gives visitors a true appreciation of the immense proportions of Mt. McKinley and the difficulties climbers face in reaching it's summit." The photograph is signed, dated, and numbered in the lower left corner in gold leaf ink and printed on Fuji Crystal Archive Supergloss paper. The photograph is matted and framed under glass, measuring approximately 24" x 32" overall.

Two signed Artist's Proof photographs by Alaska wildlife photographer Johnny Johnson (1947–2025). "Killer Whale", c.2004, shows a single orca breaking the calm surface of Glacier Bay. The tall dorsal fin rises above the water as the glossy back, white markings and a small burst of spray catch the light. The second work, untitled and dated c.1993, depicts a group of orcas traveling close together through deep blue water. Overlapping backs, fins and white eye patches remain distinct above the dark reflections and small waves. Both photographs are signed and dated in the lower left corner in gold leaf ink and printed on Ilfochrome. A care guide and artist's biography are included on the reverse. Each photograph is shrink-wrapped on board, and the larger photograph measures approximately 16.25" x 20".

"Sea Wolf" is a signed photograph by Alaska wildlife photographer Johnny Johnson (1947–2025), numbered 40/950 and bearing a ©2002 inscription. The accompanying artwork description leaflet reads: "Orcas or killer whales have a social structure much like a pack of wolves. The large male in this photo, taken near the southern tip of Admiralty Island in Southeast Alaska, was the leader of a group of about ten whales. My wife and I were able to observe the pack hunting for salmon and actually saw them take a seal and later a sea otter. It was fascinating to watch them hunting within ten feet of land and cooperatively encircle their prey before making a kill. In this image the Orca whale is traveling very close to shore and the spruce tree covered mountains are reflected in the ocean which explains the marvelous patterns of green in the blue water. The spray is created when the whale exhales upon surfacing in preparation to take another deep breath of air before diving." The photograph is signed, dated, and numbered in the lower left corner in gold leaf ink and printed on Fuji Crystal Archive Supergloss paper. Also included are a 1997/98 The Art of Johnny Johnson Limited Edition Ilfochrome photographs catalog, and Alaska Wildlife - A Photo Memory book. The photograph is matted and framed under glass, measuring approximately 23.5" x 31" overall.