A 27" Toshiba color television (CE27H15), plus a Nintendo Entertainment System with a controller, Zapper light gun, AC adapter cord, audio and video in cord, and two game cartridges; a two-in-one cartridge with Super Mario Bros. and Duck Hunt, and Rad Racer. TV and console tested to power on at time of cataloging; the console emits a blinking red light when a cartridge is inserted. Most items show wear commensurate with age and use. The TV measures approximately 26" x 18.5" x 24" tall.

An original oil on canvas board study of the later "Doing Cessment Work" painting of miners doing their assessment work by renowned Alaskan artist Eustace Paul Ziegler (1881-1969). Early in life, Eustace Ziegler followed in his father’s clerical career path and was even ordained as an Episcopal Minister, but art soon became his overtaking passion. At first, Ziegler traveled to Alaska in 1909, intending to run a mission, but in due course, he began to sketch and paint his native parishioners. Like Sydney Laurence, Ziegler painted landscapes, and he is also celebrated for his portraits of First Nations people and other Alaskans. Eventually, he would make Seattle his home base, be an influential teacher, and continue a forty-year career as one of the finest and most sought-after painters of Alaska and its people. Signed lower left, and housed in a gilded frame measuring approximately 27.5" x 31.5" overall with a sight view of 20" x 24". Professionally cleaned and restored with scattered in-painting.

Fossilized scrimshaw ivory specimen, signed with the initials 'KG' for Alaska watercolorist and carver Keith Greba (American, b.1953). Piece is carved to appear arrowhead or spear tip-like and is mounted on a second specimen of fossilized ivory. Measures approximately 4" x 1.5" x 1.5" tall.

Scrimshaw ivory specimen, signed with the initials 'KG' for Alaska watercolorist and carver Keith Greba (American, b.1953). Piece is mounted on a second specimen of ivory; both have natural hairline splitting as photographed. Measures approximately 2.5" x 2" x 2" tall.

Twenty I Support Fur Rondy buttons and three strands of light blue ribbons suitable for display. The buttons feature hand-drawn designs of native Alaskans under the northern lights, a musher and sled dogs, a snowflake, snowman, and more as photographed. The buttons each measure approximately 2.5" in diameter; the longest ribbon measures approximately 42" long.

Nineteen metal Fur Rendezvous pins from 1993-2002, some with duplicates that feature foxes, ravens, moose, and more depictions of Alaskan nature as photographed. The largest pin measures approximately 2" x 4" high.

Two pairs of Athabascan moccasins made with smoked hide with beaver fur trim, featuring floral and eagle designs on their toe caps. The larger pair measures approximately 11.25" long x 4" wide x 3.5" tall.

Vintage, possibly antique, Turkish brass brazier, used for tent heating and sometimes cooking. Brazier consists of a main bowl with handles on a four-legged base, with a conical lid and a round tray. Also included are seven cooking skewers. The piece shows overall wear, including some residue inside the bowl, a partially detached handle, a missing screw, and patina or light oxidation throughout. The bottom tray measures approximately 21.5" in diameter.

Reproduction poster originally created in 1962 by Pablo Picasso (Spanish, 1881-1973), in collaboration with Henri Deschamps (French, 1898–1990), commissioned by the French Ministry of Transport and Public Works to promote tourism in the French Riviera. Piece is matted and framed under glass with some wear to the matting and frame as photographed. It measures approximately 42.5" x 29.5" overall.

An Alaska Native carved whalebone sculpture depicting a masked figure accented with a walrus tusk and baleen ulu, and further decorated with a baleen fluke affixed via a thin tusk rod. Measures approximately 4.75" x 2" x 17.25" tall.

Set of three mounting ‘Gigi’ wall lights in the color black. Each includes original boxes, which measure approximately 13" x 13" x 8" tall.

Three Alaska Native artifacts ranging from the Thule period to the 19th century, including a very large harpoon or spear foreshaft complete with an oversized slate blade, a decorated ancient bucket handle, and a prominent wooden effigy figure or doll topper. The largest measures approximately 13" x 2.5" x 1.25".

Twenty-five I Support Fur Rondy buttons from 1981-2021 displayed on three strands of light blue ribbons. The buttons feature hand-drawn designs of a polar bear skiing, hot air balloons, sleepy otter, moose in a bobsled, and more as photographed. The buttons each measure approximately 2.5" in diameter; the longest ribbon measures approximately 29" long.

Vintage and antique artwork and framing items including a color photograph under convex glass, a baroque style gilded frame in a secondary frame, under glass, frame components and finial pieces, most appearing to be wood, a set of metal corner bumper pieces, frame stands in metal and plastic, a locket on a chain in a gilded oval frame on a velvet like emerald green backing, and a MB Parkinson “Cupid Awake” reproduction image in an oval tilting frame on flat base. The backing on the oval color portrait piece is loose; the largest item measures approximately 24.5" x 18.5" overall.

A signed baleen basket, hand-woven and beautifully carved by Iñupiaq artist Max Tooyuk (21st Century), topped with a detailed polar bear finial made of walrus tusk. Baleen is a flexible natural material within the mouths of bowhead whales, and functions as a filtering system to help process plankton and small fish. Baleen baskets are woven with thin strips of baleen using coiling that sews baleen bands together; baskets are usually topped with a carved walrus tusk figural finial on the basket lid to be used as a handle. Basket measures approximately 3.75" x 3.75" x 4" tall.

A contemporarily crafted necklace made of ancient and antique materials, including fossilized walrus tusk, old chevron trade beads, and a centerpiece showcasing a harpoon artifact with etching, displayed in a case. The display case measures approximately 8.25" x 0.75" x 12.5" tall.

Collection of vintage apparel consisting of blouses, vests, dresses, Pendleton wool skirt, Army-issued pants, likely wool, two pairs of heels, lidded metal jewelry box with a silk-like lining, and a leather case, likely a call set case, used for religious items. The case and box show light wear commensurate with age; the white blouse has some discoloration. Sizes are as photographed.

A historically significant Alaska State flag in blue and gold, signed lower right by John Ben "Benny" Benson (1912-1972), the fourteen-year-old student who won the flag design contest for the Territory of Alaska in 1927; Alaska became the forty-ninth state thirty-two years later in 1959. His description of the flag was "The blue field is for the Alaska sky and the forget-me-not, an Alaska flower. The North Star is for the future of the state of Alaska, the most northerly in the Union. The dipper is for the Great Bear - symbolizing strenth (sic)." Shrinkwrapped on foam board measuring approximately 12.5" x 18.5"; flag measures 12" x 18" wide.

A stone lithograph c.1953 by the late Alaskan artist, Fred Machetanz (1908-2002) entitled "Indian Trapper". The work depicts Bill Esi, an Athabascan trapper and familiar figure in Matanuska Valley, hiking with his packsack between his native village of Eklutna and Palmer, or pulling a sled to his trapping camp up the Knik River Valley. Beyond Bill is a cache used for storing furs, food, and supplies safe from prowling animals. Titled lower left, marked Edition-100, and hand-signed in graphite lower right. Matted in black within a wooden frame measuring approximately 19" x 15.5" overall.

Six Fur rendezvous belt buckles dated from years 2000 to 2010. One is in its original packaging, another includes a hang tag. The 2000 belt buckle measures approximately 2.5" x 3.25" overall.