A custom fixed-blade knife with a Brusletto blade marked 100 ÅR, 1896–1996, Made in Norway, and inscribed Made by Paul Kianak Sr. The handle is walrus ivory with dark baleen spacers and a brass-tone guard. A woodland camouflage nylon sheath is included. A prominent longitudinal crack runs through the handle near a pin toward the butt, with discoloration and an open or rough area around the pin. The blade has scratches, tarnish and edge wear, and the sheath shows scuffs. Measures approximately 8.25 inches overall with a 4-inch blade.

A slender bone-or-antler human figure attributed to Iñupiaq artist Wilbur Kuzuguk of Shishmaref, Alaska, with incised facial and clothing details, separate legs and WK initials on the upper reverse. A cord is tied around the neck, and a small fitting protrudes from the back of the head. Also included is a handcrafted Alaskan doll dressed in hide, fabric, felt and several types of fur, with seed-bead accents and embroidered features on a yellow face. The doll has heavy damage: a detached foot with exposed stuffing, tape repairs, torn and peeling hide on the legs and deterioration around the neck. Fabric and fur are worn and discolored. The carved figure shows surface wear and dark marks. The doll measures approximately 3 by 5.25 by 12.5 inches high when upright.

Five fixed-blade knives with four sheaths. The group includes an eagle-decorated recurve knife with yellow openwork handle panels; a bowie-style knife with a stacked handle, hexagonal pommel and leather sheath containing a small sharpening stone; a Smith & Wesson boot knife with a molded sheath; a Damascus-pattern drop-point knife with a red-and-green laminated wood handle; and a slender hunting-style knife with a simulated-antler handle and leather sheath. The blades show scratches, tarnish, oxidation, residue and edge wear. Fibrous material is caught around the base of the Damascus-pattern blade. The leather sheaths have scuffs, staining and wear, including damage around a retention strap. The eagle-decorated knife has no sheath. The largest knife measures approximately 9.5 inches overall with a 5-inch blade.

A black quilted tri-fold wallet bearing an interlocking CC emblem and an interior Chanel Paris / Made in France stamp. It has gold-tone snap hardware, card slots and a flap coin compartment, and is accompanied by a Chanel-marked box and cloth. Believed authentic based on staff assessment; no serial number was found during the recorded staff inspection. The wallet shows creasing, rubbing and wear along the folds and edges, with wear to the emblem and interior lettering. The box has scuffs and worn corners, and the cloth is creased and discolored. The box measures approximately 6.25 by 5 by 1.25 inches. We have done our due diligence to evaluate the authenticity of the designer goods in this lot; however, we are not professional authenticators.

Two decorative wooden sailing-ship models with painted hulls, fabric sails, slender masts and string rigging. The larger represents the Santa Maria and features bold red, blue and black hull details, painted crosses and imagery on its sails, and a black wooden display stand. The smaller vessel follows a similar style and rests on a rectangular base. The larger model is stamped ‘Made in Germany–U.S. Zone’, indicating a postwar occupation-era marking. Both models show wear and discoloration, with loose or slack rigging visible. The larger measures approximately 23 inches long by 4 inches wide by 18.5 inches high.

A miniature walrus ivory common loon by Iñupiaq carver Al Mayac (1950–2014), who was born on King Island, Alaska. The low body suggests a bird resting on the water, with an upright neck, pointed bill and red eyes. Fine incised lines define the feathers, while closely spaced white markings stand out against the dark back and wings. The underside is signed ‘Al Mayac’ and labeled ‘Common Loon’. The carving measures approximately 3 inches long by 1 inch wide by 1 inch high.

An original acrylic painting of five children gathered around two snowmen in a snowy landscape. Bright red, green, blue and yellow winter clothing, patterned headscarves and a small stool animate the closely grouped figures. Bare branches and snow-covered evergreens frame the scene against a clear blue sky. The lower left is signed ‘BCEE’ with a copyright symbol and the date ‘84’. The painting is presented in a metallic-tone frame with dark accents and measures approximately 23.5 inches wide by 27.5 inches high overall.

An original ink and watercolor by Alaska artist Richard Wilson "R.W." Tyler (1927–2016), depicting Seldovia, Alaska. Fishing boats, waterfront buildings on pilings and a hilltop church are arranged in crisp outlines and muted blue, green and rust-colored washes. Signed R.W. Tyler at lower left. Presented with rust-colored matting in a narrow frame, measuring approximately 18.5 inches wide x 15.25 inches high overall. The mat and backing show age-related discoloration and the frame has light wear.

A monochrome architectural street-scene print, signed John Alexander Marshall in the lower margin and numbered 10/25. A woman with a basket stands among closely grouped buildings, with an arched passageway, projecting balconies and slender towers rising behind. The print is presented in a broad pale mat and dark wooden frame. The paper and mat show toning, scattered marks and uneven discoloration. The frame has scuffs, and the backing paper is torn near the top. Overall dimensions are approximately 14 inches wide by 20 inches high.

An original ink and watercolor by Alaska artist Richard Wilson ‘Toby’ Tyler (1927–2016), depicting Ninilchik as a compact arrangement of village buildings, a fishing boat and the Russian Orthodox church rising above them. Crisp dark outlines and restrained ochre, gray and green washes give the architecture a clear, geometric rhythm. Signed ‘R.W. Tyler’ at the lower right, the work is matted and framed. The paper and mat show visible yellowing or toning, and the frame has light surface wear. Overall dimensions are approximately 11.5 inches wide by 12.5 inches high.

A Bruce W. Nelson wildlife print showing a gray wolf and snowy mountains within an Alaska-shaped opening, surrounded by tracks in mud, moss, lichen and shed antlers. The artist's name and copyright mark appear at the lower right. The print is matted and framed under glass with a silver-colored medallion depicting a howling wolf beneath the northern lights. An article about Nelson is attached to the reverse, with a handwritten March 1994 Alaska Fisherman's Journal reference. The frame has surface scuffs, the mat shows a few light marks, and the backing paper is creased and worn. Overall dimensions are approximately 27.5 inches wide by 21.5 inches high.

"Memories", a color print by Ukrainian-born artist Anatole Krasnyansky (1930–2023), with the artist's signature, handwritten title and edition number 153/295 along the lower margin. The architectural scene combines blue onion domes, towers and arches with small figures and bare-branched trees in a palette of blue, gold, green and gray. The print is matted and framed under glass. The mat shows yellowing and edge discoloration, the frame has surface wear, and the rear paper covering is torn and peeling around the upper edges. Overall dimensions are approximately 31.5 inches wide by 25 inches high.

An impressionistic oil landscape signed Boyle at the lower right and attributed to Canadian artist Neil Boyle (1931–2006). Broad, textured passages of blue, green, cream and pink depict a wooded rocky slope reflected in still water beneath a pale sky. The painting is set in a molded frame with a cream-colored fabric liner. The frame and liner show surface wear and discoloration, and the reverse has mounting hardware and a hanging wire. Overall framed dimensions are approximately 32 inches wide by 26 inches high.

"Le Moulin Rouge" by Eugène Valentin Latour (French, born 1944), a signed color print showing the Parisian landmark beneath a starry night sky. Bright storefronts, small figures, period automobiles and the red windmill create a lively street scene against the deep blue evening sky. The lower margin is numbered 108/225 and signed ‘Eugene Valentin’. Presented under glass with a dark blue mat and gold-tone frame. The frame shows surface wear, and the backing is discolored with worn tape and small losses. Overall dimensions are approximately 25.5 by 29 inches.

"Mother and Child", a color reproduction after Eustace Paul Ziegler (1881–1969), showing a seated Tanana Athabascan mother and child sharing a bowl. Soft earth tones are accented by green details in the clothing and jewelry. The lower margin identifies the title, Eustace P. Ziegler and Alaskana Reproductions; the artist's signature and monogram are reproduced within the image. The unframed print is shrink-wrapped on a backing board. The wrapping has scuffs, wrinkles and small edge tears, with light discoloration and wear visible around the margins. Overall dimensions are approximately 18.25 by 22.5 inches.

A print of "Don Quixote Overwhelmed" after Salvador Dalí (1904–1989), showing a bent figure leaning across a diagonal staff amid sweeping black forms, yellow details and a small red flower. It bears a Dalí signature within the image, a separate signature mark in the lower-right margin and the notation 236/300 at lower left. The composition dates to 1957. The print is shrink-wrapped against a backing board and measures approximately 20 inches wide by 25.5 inches high. Toning and a darker rectangular border are visible, with minor spots and surface marks; the wrapping limits direct examination of the paper.

A signed color print by French artist Jean-Pierre Laurent (1920–1998), depicting boats resting along a harbor at low tide. Dark rocks and exposed shore lead toward white waterfront buildings, while a red flag and a boat's red hull punctuate the muted green, gray and ochre palette. The lower margin is signed and numbered 94/250. Matted and framed under glass in a dark wood-tone frame. Light frame wear and discoloration to the backing are visible. Overall dimensions are approximately 25.75 by 32.25 inches.

"High Flyer", a color print by Aldo Luongo depicting a pole vaulter clearing the bar against an energetic orange and purple background. The lower margin bears the artist's signature, edition number 353/400 and a gold-colored United States Olympic Committee emblem. The composition is associated with Luongo's work for the 1988 Seoul Olympic Games. Matted and framed under glass, with light frame wear and discoloration to the pale mat. The rear paper covering is wrinkled. Overall dimensions are approximately 40.25 inches wide by 49.25 inches high. Note Regarding Shipping Services: This item is exceptionally large and/or heavy, and may require custom boxing or crating depending on the intended destination and available carrier services. For more information prior to bidding, please email us at Shipping@AlaskaPremierAuctions.com or call/text us at 907.570.7050.

A color print by Graciela Rodo Boulanger (Bolivian, born 1935), depicting children reaching for a football in striped and numbered uniforms. Bright yellow, red and blue accents stand against a densely worked black-and-gray background. The lower margin bears the artist's signature and E.A., the abbreviation for épreuve d'artiste, or artist's proof. The print is matted and framed under glass. Light toning and waviness are visible in the paper margin, with scuffs to the frame and wear to the backing. Overall dimensions are approximately 28.25 inches wide by 37 inches high. Note Regarding Shipping Services: This item is exceptionally large and/or heavy, and may require custom boxing or crating depending on the intended destination and available carrier services. For more information prior to bidding, please email us at Shipping@AlaskaPremierAuctions.com or call/text us at 907.570.7050.

A Stomps-Burkhardt oak armchair with prominent ray-fleck grain, a contoured solid seat and sweeping arms. Two carved lion heads flank a central scroll ornament on the shaped back, with curled ends completing the crest. Curved legs and turned stretchers give the chair an open, sculptural profile in the Renaissance Revival taste. A partial paper label beneath the seat identifies Stomps-Burkhardt Co., Dayton, Ohio, and No. X72. The company adopted this name in 1890; the chair is consistent with late 19th- or early 20th-century production. Surface scuffs, finish wear and losses to the paper label are visible. The chair measures approximately 25 inches wide by 20 inches deep by 35 inches high. Note Regarding Shipping Services: This item is exceptionally large and/or heavy and may require custom boxing or crating depending on the intended destination and available carrier services. For more information prior to bidding, please email us at Shipping@AlaskaPremierAuctions.com or call/text us at 907.570.7050.