A lovely early watercolor painting by Alaska artist Rie Muñoz entitled "Poker at the Blue Moon Café". The work depicts a vibrant view of a building with a small side porch, a pair of oil drums, and a brightly illuminated window revealing a trio of men sitting at a round table, each holding a hand of cards. The painting is accompanied by a note from the Rie Muñoz Gallery that reads "Poker at the Blue Moon Cafe, 1967, watercolor is a fun reminder of Rosie Floresca and her lovely establishment. Poker and playing cards in general was a standard evening pastime before TV's [sic] came to Tenakee." The artist, although based in Juneau, spent considerable time visiting and vacationing in Tenakee, a small, unincorporated city on Chichagof Island in Southeast Alaska, about forty-five miles southwest of the state capital and accessible only by air or sea. The community of Tenakee Springs is renowned for its natural hot springs, bathhouse, and lack of cars, featuring only a main street suitable for walking and all-terrain vehicles. It features prominently in many of the artist's paintings over the years. Signed and dated by the artist, lower right. Matted and framed measuring approximately 16.25" x 20.75" overall with a sight view of 9" x 13.75".

An early monochromatic stenciled Artist Proof, numbered A/P 3, by Alaska artist Rie Muñoz entitled "Duck Hunters". The work, produced in 1970, portrays two Alaska Native adults, one perched on the shoulders of the other while wielding a woven net upon a long pole as a duck flies overhead. Titled, numbered, signed, and dated by the artist across the lower margin. Shrink-wrapped on board measuring approximately 20" x 14" with a sight view of 18" x 12".

A c.1971 black pen and ink lithograph, marked as "Proof" by Alaska artist Rie Muñoz entitled "Dance in the Kashim". The Kashim is a community house used by the Eskimos on King Island in the Bering Sea that has no doors, as the wind and cold would chill the place down. People come and go from a tunnel and hole in the floor, which was the official entrance to the Kashim. Within the community house, the King Island Eskimo women dance while sitting on benches linking the wall, their children sitting at their feet, watching the joyous activity around them. Titled, signed, and dated by the artist across the lower margin, it was later produced in a limited edition of 200. Matted in cream and framed in wood measuring approximately 22.75" x 22" overall with a sight view of 14" x 13.5".

A c.1972 monochromatic silkscreen artwork, marked "Proof", by Alaska artist Rie Muñoz entitled "Good Fishing". The artwork depicts a woman, attired in her amauti with her infant nestled warmly upon her back, maneuvering her fishing sticks above her head, their fishing lines and hook reaching below the Arctic ice as a quartet of tomcod or bullheads swim about in the Bering Sea. Shrink-wrapped on board, the piece retains its original spiral-bound top edge and has been double-signed by the artist in black ink lower right as shown. Measures approximately 14" x 11" overall with a sight view of 12" x 9".

An early signed and numbered 31/50 silkscreen by Alaska artist Rie Muñoz entitled "Ice Fishing". The artwork illustrates a woman, attired in her amauti with her infant nestled warmly upon her back, guiding her fishing sticks as the fishing line reaches below the Arctic ice as a tomcod or bullhead swims about the Bering Sea. Shrink-wrapped on board, the work is titled, numbered, signed, and dated by the artist c.1972 by the artist. Measures approximately 28.25" x 22" with a sight view of 26" x 20".

A signed and numbered 17/100 print by Alaska artist Rie Muñoz entitled "Tattooed Lady From Gambell". The work shows an Alaska Native woman with two beaded braids in her hair, and tattoos in blue ink across her cheeks and chin. Titled, numbered, signed, and dated by the artist c.1973 across the bottom margin. Shrink-wrapped on board measuring approximately 16.5" x 13.5" with a sight view of 14.5" x 11.75".

A c.1973 Alaska State Museum "29th Annual Alaskan Arts & Crafts Show" silkscreen poster by Alaska artist Rie Muñoz and Juneau, Alaska artist Jay Crondahl (b.1935). The event was held May 4-5, 1973, at the museum located in Juneau. The poster, officially entitled "Purple Whale", depicts a stylized purple bowhead whale above a green ocean. The painting is accompanied by a note from the Rie Muñoz Gallery that reads "Purple Whale: This poster is signed by Rie Muñoz and Jay Crondahl. He was a good friend and fellow artist who helped with the color choices on this fun silkscreen poster." While not much is known about Crondahl individually, he and his wife Judy were well-known in and around Juneau and spent twenty years running Crondahl's Bed & Breakfast while enjoying art, music, and bicycling. It is known Jay Chrondahl was a good neighbor of Rie's, and they spent time sketching together, including at least one trip to Pack Creek on Admiralty Island where they observed a brown bear sow wander near the cozy cabin of their host. Shrink-wrapped on board measuring approximately 22" x 28" overall, with a sight view of 18" x 26.26.

A monochromatic silkscreen color proof by Alaska artist Rie Muñoz entitled "Dinner". The image shows a woman in a blue kuspuk with floral trim, proudly standing with her fishing spear in one hand and her recently caught fish in the other. Titled, signed, and marked "Color Proof" by the artist across the lower margin, it was produced in a limited edition of 78 c.1974. Shrink-wrapped on board measuring approximately 14.25" x 10" with a sight view of 13" x 8.5".

A signed and numbered 6/125 all-black stone lithograph by Alaska artist Rie Muñoz entitled "Butchering at Gambell". The work depicts an Alaska Native community processing a harvested whale near the shoreline in Gambell, Alaska. The detailed composition highlights men cutting away the flesh of the whale with long-handled flensing knives that make deep parallel incisions through the thick layer of blubber and skin. Meanwhile, the women begin processing the muktuk with their sharp ulu knives, and then dragging it home. Children and dogs are watching the process from the sidelines, reflecting the communal labor and cultural significance of subsistence whaling in St. Lawrence Island communities, including Gambell where the artist spent extensive time. Titled, numbered, signed, and dated by the artist c.1974 by the artist across the lower margin. Shrink-wrapped on board measuring approximately 17" x 24" overall with a sight view of 15" x 22".

A signed and numbered 2/100 print by Alaska artist Rie Muñoz entitled "Honkers". The work centers on a half dozen Canadian geese standing in the seagrass, two each in black, ochre, and white patterned plumage. Titled, numbered, and signed by the artist across the lower margin. A few spots of discoloration are present as photographed. Shrink-wrapped on board measuring approximately 15.5" x 13.5" overall with a sight view of 13.5" x 11.5".

A signed and numbered 1/5 Artist Proof silkscreen by Alaska artist Rie Muñoz entitled "Cat's Cradle". The work captures an Alaska Native woman mid-step, joyfully engaged in string play while carrying a child tucked into her boldly dotted amauti parka. String games such as cat's cradle serve as storytelling tools, teaching devices, and social entertainment for all ages. Titled, numbered, signed, and dated by the artist c.1975 across the lower margin. Shrink-wrapped on board measuring approximately 18" x 14.5" with a sight view of 16" x 12.5".

A signed and numbered 1/5 Artist Proof silkscreen by Alaska artist Rie Muñoz entitled "Reindeer Herd". The image highlights a young man, staff in hand, while guiding a moving herd of eight mature reindeer across open grasslands. The work reflects Alaska's long history of reindeer herding, particularly in western and northern Alaska where herds became both an economic resource and cultural fixture for many Indigenous communities. The artist was hired in 1962 by the Bureau of Indian Affairs to sketch the reindeer roundup on Nunivak Island; she and her son stayed for a month on the 40-square mile island. At the time, Nunivak had around 10,000 reindeer, and herders would go by foot to separate one to two thousand animals and herd them back to the villagers who would then form a human funnel to help herd the stampede of reindeer into a large corral. Titled, numbered, signed, and dated by the artist c.1975 across the lower margin. A few areas of discoloration are present as photographed. Shrink-wrapped on board measuring approximately 14" x 21" with a sight view of 12" x 18.75".

A signed and numbered 1/100 silkscreen by Alaska artist Rie Muñoz entitled "Splitting a Walrus Skin", depicting a woman attired in her kuspuk, her right hand gripping her ulu and her left hand gripping the skin of a walrus, stretched and mounted vertically for preparation. Ulu knives are traditionally all-purpose knives used by women for slicing fish, or butchering animals; smaller ulus were used for sewing and other household purposes. In this case, the woman is standing atop a raised platform, leaning backward with visible force as she pulls and separates a long strip from the larger hide. Titled, numbered, signed, and dated by the artist c.1975 across the bottom margin. A small pin hole, top center, is present, as photographed. The painting is accompanied by a note from the Rie Muñoz Gallery that reads "Pin hole by ARTIST! Rie would pin up her unframed originals also." A few areas of discoloration are also present, as shown. Shrink-wrapped on board, the print measures approximately 16" x 14.5" with a sight view of 14" x 12.5".

A signed and numbered 1/125 serigraph by Alaska artist Rie Muñoz entitled "Seated Dancer", capturing a woman seated on a bench, tapping her feet and swinging her arms to the music, a wide smile upon her face; her baby nestled inside the hood of her amauti. The women of King Island, where the artist taught school in 1952, danced in a seated position, making graceful motions with their torsos and hands, while the men stood and danced. Both men and women wore gloves while they danced to "feel their hands better" and make the motions more pronounced. Titled, numbered, signed, and dated by the artist c.1975 across the bottom margin. Shrink-wrapped on board measuring approximately 25.25" x 20" with a sight view of 23.25" x 18".

A signed and numbered 16/105 silkscreen by Alaska artist Rie Muñoz entitled "Cleaning Berries." The work highlights an Alaska Native woman dressed in a richly patterned amauti with baby nestled within the hood, cleaning her just picked berries by throwing them into the air and letting all the leaves blow away from the constant wind. Titled, numbered, signed, and dated by the artist c.1976 across the bottom margin. A few areas of discoloration are present, as photographed. Shrink-wrapped on board measuring approximately 16.5" x 13.25" with a sight view of 14.75" x 11.25".

A signed and numbered 50/70 silkscreen by Alaska artist Rie Muñoz entitled "Temptation." The work illustrates the biblical story of Adam and Eve with two nude figures standing beneath a fruit-laden tree while a serpent coils upward through the trunk between them. The female holds the fruit in one hand while reaching the other hand to her male companion. Titled, numbered, signed, and dated by the artist c.1976 across the bottom margin. A few areas of discoloration are present, as photographed. Shrink-wrapped on board measuring approximately 15.5" x 13" with a sight view of 13.75" x 11".

A signed and numbered 59/94 silkscreen by Alaska artist Rie Muñoz entitled "Raft of Ducks." The work depicts fourteen Barrow's goldeneye ducks swimming together in an orderly fashion. Titled, numbered, signed, and dated by the artist c.1976 across the bottom margin. A few areas of discoloration are present, as photographed. Shrink-wrapped on board measuring approximately 16" x 22" with a sight view of 14" x 20".

A signed and numbered 2/5 silkscreen Artist Proof by Alaska artist Rie Muñoz entitled "Eskimo Dancer." The work shows a row of six women in matching green and blue kuspuks, arms raised in a lively dance, with green fur mukluks. Titled, numbered, signed, and dated lower right by the artist. Shrink-wrapped on board with tape residue on each corner as photographed. Measures approximately 15.25" x 24" with a sight view of 13.25" x 22".

A signed and numbered 146/190 silkscreen by Alaska artist Rie Muñoz entitled "Savoonga Woman". The work features a woman in a richly detailed seal gut parka with decorative feather tufts accenting each horizontal band; her young child rests upon her shoulders. Savoonga is a St. Lawrence Island community in western Alaska with strong Yup'ik cultural traditions, and one visited by the artist. Titled, numbered, signed, and dated by the artist c.1977 across the bottom margin. Shrink-wrapped on board measuring approximately 14.25" x 11" with a sight view of 12.25" x 9".

An exhibition silkscreen poster of Drawings by Alaska artist Rie Muñoz. The piece, "Frog Legend" centers around characters in a traditional long canoe, reaching out to a frog, and is an illustration from the c.1977 book Kahtahah: A Tlingit Girl by Frances Lackey Paul, which Rie Muñoz illustrated. The image and text are in brown, on complementary cream-toned paper. The exhibit opened on Friday, March 25 at 4:30pm at the Heritage Northwest facility, in what is currently operating as Heritage Coffee Roasting Co. Signed and dated center right by the artist. Measures approximately 13.5" x 19.5" with a sight view of 11.5" x 17.5".