A signed and numbered 184/950 print entitled "The U.S.C.G. Barque 'Eagle'" by L. Cedric Janson, depicting the historic United States Coast Guard three-masted training vessel under full sail, navigating through rough ocean waves beneath an overcast sky. It contains an art and vessel description en verso, is matted and framed, and measures approximately 29" x 23" overall.

An original oil seascape painting by Earl Shimokawa (Japanese-Hawaiian, 20th Century), depicting a serene coastal scene with soft, sweeping clouds over a misty ocean where a sailboat drifts by a dark, rocky shoreline populated by figures wading in the shallows, done in a dreamy, nostalgic style reminiscent of a distant memory. It is matted and framed and measures approximately 25" x 21" overall.

A print entitled "Testing the Waters" by John McFaul (American, 20th/21st Century), depicting five wolves traversing a coastal shoreline at sunset, the sandy beach and rough waves reflecting the warm pink and orange hues of the sky. The piece includes an artist bio en verso. It is matted, framed, and finished with a metallic title plaque; it measures approximately 33" x 21".

A signed and numbered 273/400 embossed print by Alaska artist Marianne Wieland (20th/21st Century), entitled "City Moose", depicting the dark brown silhouette of a moose stomping through pure white snow, houses, and a city or village skyline in the background. Titled, numbered, and signed along the lower margin; artwork is matted and framed under glass with some spots of discoloration on the glass. It measures approximately 13.5" x 24" overall.

A print depicting scrimshaw walrus ivory figurines carved by Alaska Natives in the shape of a polar bear standing up, caribou, bowhead whale, seal, and more. The folio measures approximately 17.5" x 15".

A signed and numbered 43/125 lithograph print entitled "Our Day" by Sheldon C. Schoneberg (American, 1926-2012) depicting a tender, intimate portrait of a mother lovingly cradling her young infant child, drawn entirely in a red-sepia-tone pencil. It is matted with a matching, colored border, framed, and measures approximately 31" x 27.5" overall.

An original sketch by late Alaska artist Martha Jean Shadrach (1926-2021) depicting a portrait of a woman with her hair pulled back into a high ponytail with a robe draped loosely around her shoulders through minimal linework, soft smudging, dark charcoal shading, and bright highlights on brown-toned sketching paper. The piece is framed and measures approximately 28.5" x 22.5" overall.

Five Alaska nature-themed prints including a framed print depicting species of Alaska wildlife by Alaska artist Carol Dickerson (20th Century) accompanied by a print entitled "Mount Susitna Alaska || Sleeping Lady Mountain" by The Snow Finch collective, shrink-wrapped in matting on board. Also includes a print entitled "Masters of the Arctic" by artist Lissa Calvert (Canadian, 20th/21st Century), shrink-wrapped in matting on board, plus a framed print depicting fireweed, and more as photographed. The Alaska wildlife print measures approximately 25" x 7.25" overall.

Two portrait prints signed by Alaska artist Muriel Hannah (d.1969) depicting Alaskan Native children Fannie Fullmoon and Wassilie Mark Pleasant of Quinhagak, Alaska, each artwork mounted on board, a pen and ink sketch by artist Alex Secher (1913-1989), and five pen and ink sketch magnet or coaster prints by Yup'ik artist Florence Nupok Melewotkuk (1906-1971). Originally from Gambell, St. Lawrence Island, Alaska, the artist's works are within the collection of the Smithsonian's National Museum of the American Indian. Each shows some light wear commensurate with use. The corners of the larger portrait prints are creased, as photographed, and they each measure approximately 21.5" x 14".

Two signed prints by Alaska artist Nancy Taylor Stonington (b.1944), including "Willow Leaves", numbered 117/650, and a second print, untitled, numbered 25/50. Both depict leafy plants with flowers in Stonington's typical watercolor style where lines are blurred, appearing ethereal. Both are matted and framed under glass, the larger with discoloration along the bottom of the matting, measuring approximately 28" x 17.5" overall.

A signed and numbered 1137/1500 print entitled "Soul Music" by Lee Cable (American, 20th/21st Century), depicting expressive timber wolf pups gathered closely together, heads tilted back in unison as they practice howling in a foggy land. It is matted and framed with a small titular plaque, and measures approximately 26" x 41" overall. Note Regarding Shipping Services: This item is exceptionally large and/or heavy, and may require custom boxing or crating depending on the intended destination and available carrier services. For more information prior to bidding, please email us at Shipping@AlaskaPremierAuctions.com or call/text us at 907.570.7050.

A historical map entitled "Map of the American Colonies and Adjacent Country as Known in 1776" (often abbreviated as "as known in 1770"), drawn, engraved, and printed by Asher & Adams. While the map depicts the geography of the late 18th century, it was actually produced in 1875 (or 1876) as a promotional item for patrons of the Baltimore and Ohio Railroad (B&O). Text in the lower left quadrant reads: At the time the maps from which this is a compilation were made, very little was accurately known of the topography of the country west of the Alleghenies and it is difficult to locate precisely the site of what are now large and growing cities. The position of those given in the list below – see numbers upon the map – are therefore only approximately correct. 1. Cumberland. 2. Pittsburg. 3. Grafton . 4. Wheeling. 5. Newark. 6. Chicago Junction. 7. Chicago. 8. Parkersburg. 9. Cincinnati. 10. Louisville. 11. St. Louis. 12. Columbus, O. 13. Washington, D.C. 14. Lynchburg. 15. Danville. Text along the bottom reads: Drawn Engraved & Printed by Asher & Adams 59 Beekman St. New York. Entered according to Act of Congress in the year 1875 by Asher & Adams in the Office of the Librarian of Congress at Washington. Text lower center lists Historical Notes dated from 1497 when John Cabot and his son discovered Labrador through 1867 when Russia ceded Alaska to the United States for $7,200,000, along with notes about the founding of Jamestown and the origianal colonies. Text lower right includes the Map title, "Map of the American Colonies and Adjacent Country as Known in 1776 / Compiled by permission of the American Geographical Society, New York, From works in their possession and Presented to its Patrons by the Baltimore and Ohio Co." The heavy black lines on the map represent, in part, the Post Routes and the National Road, constructed by the United States Government. The text further details information about the B&O Railroad lines, track, locomotives, and services offered at the time, plus names of the regional ticket agents and Master of Transportation. Measures approximately 24" x 36" overall. ** Updated 7/9 @ 10:25 am to include additional transcribed information from the map's text.

A framed reproduction of the 1638 world map entitled "Nova Totius Terrarum Orbis Geographica Ac Hydrographica Tabula," originally created by Willem Janszoon Blaeu and a framed German regional map of the Austrian Alps entitled "Brunn's Spezialkarte des Berchtesgadener Landes" or "Brunn's Special Map of the Berchtesgaden Region" from the early 20th century. This piece measures approximately 24" x 31" overall.

Eight printer's proofs including "Kadak Fox, Vulpes Harriamani" by artist Charles Robert Knight (American, 1874-1953) accompanied by "Willow Ptarmigan, Lagopus lagopus" by Louis Agassiz Fuertes (American, 1874-1927). Also includes six historical prints depicting Native Americans such as "Ball Play on The Prairie" by Seth Eastman (American, 1808-1875), plus "Indians in Council" by the same artist, and more as photographed. Some display discoloration and material loss around the edges as photographed. The largest print measures approximately 16" x 11.75".

An Elvis Presley display featuring a photo print, reproduction of his driver's license and four stamps accented with matting and framed under glass accompanied by a mirror featuring a printed Jefferson Starship Winds of Change graphic. Also includes an original pencil drawing depicting violins and pitchers. The sketch is loose in the frame and measures approximately 24" x 20" overall.

An original mixed-media work on prepared animal hide by celebrated Iñupiaq artist George Aden Ahgupuk (1911-2001), known as "Twok." Working from his home in Shishmaref, Alaska, Ahgupuk became one of the twentieth century's most recognized Iñupiaq artists, producing detailed drawings and paintings that documented traditional subsistence activities and daily life in Arctic Alaska. His works are represented in numerous museum and institutional collections and are valued for their ethnographic authenticity as well as their artistic merit. This scene is rendered directly on prepared hide, a surface frequently associated with Ahgupuk's work. It shows a team of sled dogs hauling a man and sled through a gap in the pressure ice. The words "Holiday Greetes From Jack Stewart" are marked lower center in mixed case characters. Executed with delicate linework, the composition reflects Ahgupuk's lifelong interest in preserving and depicting the lived experiences of Alaska Native communities. Signed lower right. Piece is bordered by a woven darker dyed seal gut trim with hide loss along the upper edge as photographed. Shrink-wrapped on board. Measures approximately 5" x 7".

A signed print by Alaska artist W.A. "Bill" Rust, depicting detailed hands drawn in graphite transferring genuine inlaid gold nugget pieces into a small leather pouch. It is matted with a matching gold-toned border, framed, and measures approximately 23.5" x 19.5" overall.

A signed and numbered 14524/69996 print by Bev Doolittle (American, b.1947), entitled "Sacred Ground" depicting a mountain man on horseback sensing he is intruding on sacred ground, feeling watched by spirits he cannot see. Artwork has artwork information and artists biography en verso; it is matted and framed, measuring approximately 20.5" x 47" overall. Note Regarding Shipping Services: This item is exceptionally large and/or heavy, and may require custom boxing or crating depending on the intended destination and available carrier services. For more information prior to bidding, please email us at Shipping@AlaskaPremierAuctions.com or call/text us at 907.570.7050.

A signed original oil painting on canvas by Gene C. Amondson (American, 1943-2009) depicting a serene, cozy cabin illuminated from within by a warm, orange firelight against a dark snow-covered landscape softly glowing under the bright green light of the aurora borealis, characterized by impressionistic, textured strokes lending a dreamy quality to the piece. It is matted and housed in a gold-toned frame and measures approximately 22" x 26".

A 2012 Iditarod 40th Anniversary poster signed by champions including Dick Wilmarth, Martin Buser, Jeff King, Lance Mackey, Libby Riddles and others, with further details en verso. Some discoloration as shown. Artwork is matted and framed, measuring approximately 36" x 24" overall.