A pair of Stanrite No. 500 Classic aluminum studio easels by Testrite Instrument Co., Inc., each with a top clamp and an attached Testrite Fotolite Sela adjustable aluminum reflector lamp. The folding tripod easels have three-section telescoping legs with manual thumb-screw knobs and 21" x 1.5" adjustable canvas trays with palette holders. The easels accommodate canvases from 3" to 48" high and adjust from tabletop use to approximately 69" high as floor displays. Each weighs approximately 7.5 pounds. With its lamp extended, each measures approximately 48" x 34" x 76" high when upright at a 90-degree angle; depth adjusts from 29" to 34" depending on the angle. Both lamps tested to power on at time of cataloging; we are unable to ship the light bulbs.

Two signed Artist's Proof photographs by Alaska wildlife photographer Johnny Johnson (1947–2025). The first, untitled photograph (©1989), depicts a large polar bear moving through shallow water beside a dark, wet shore. Its heavy pale coat and lowered head fill the image, with each step breaking the surface around its legs. The second, also untitled (©1993), shows a harp seal pup at sunset in the Gulf of St. Lawrence, Nova Scotia. The pup lies low in a hollow of sea ice, its soft coat and dark eyes picked out by the rose and lavender light across the broken frozen surface. Both are signed, dated, and marked A/P in gold leaf ink and printed on Fuji Crystal Archive Supergloss paper. The photographs are shrink-wrapped on board. The largest photograph measures approximately 16.5" x 20.5".

A pair of Stanrite No. 500 Classic aluminum studio easels by Testrite Instrument Co., Inc., each with a top clamp and an attached Testrite Fotolite Sela adjustable aluminum reflector lamp. The folding tripod easels have three-section telescoping legs with manual thumb-screw knobs and 21" x 1.5" adjustable canvas trays with palette holders. The easels accommodate canvases from 3" to 48" high and adjust from tabletop use to approximately 69" high as floor displays. Each weighs approximately 7.5 pounds. With its lamp extended, each measures approximately 48" x 34" x 76" high when upright at a 90-degree angle; depth adjusts from 29" to 34" depending on the angle. One lamp has damage and material loss to its hoop. Only one bulb is present. Both lamps tested to power on at time of cataloging; one has some damage as shown and we are unable to ship the single light bulb.

A pair of Stanrite No. 500 Classic aluminum studio easels by Testrite Instrument Co., Inc., each with a top clamp and an attached Testrite Fotolite Sela adjustable aluminum reflector lamp. The folding tripod easels have three-section telescoping legs with manual thumb-screw knobs and 21" x 1.5" adjustable canvas trays with palette holders. The easels accommodate canvases from 3" to 48" high and adjust from tabletop use to approximately 69" high as floor displays. Each weighs approximately 7.5 pounds. With its lamp extended, each measures approximately 48" x 34" x 76" high when upright at a 90-degree angle; depth adjusts from 29" to 34" depending on the angle. Both lamps tested to power on at time of cataloging; we are unable to ship the light bulbs.

A pair of Stanrite No. 500 Classic aluminum studio easels by Testrite Instrument Co., Inc., each with a top clamp and an attached Testrite Fotolite Sela adjustable aluminum reflector lamp. The folding tripod easels have three-section telescoping legs with manual thumb-screw knobs and 21" x 1.5" adjustable canvas trays with palette holders. The easels accommodate canvases from 3" to 48" high and adjust from tabletop use to approximately 69" high as floor displays. Each weighs approximately 7.5 pounds. With its lamp extended, each measures approximately 48" x 34" x 76" high when upright at a 90-degree angle; depth adjusts from 29" to 34" depending on the angle. Both lamps tested to power on at time of cataloging; we are unable to ship the light bulbs.

A pair of Stanrite No. 500 Classic aluminum studio easels by Testrite Instrument Co., Inc., each with a top clamp and an attached Testrite Fotolite Sela adjustable aluminum reflector lamp. The folding tripod easels have three-section telescoping legs with manual thumb-screw knobs and 21" x 1.5" adjustable canvas trays with palette holders. The easels accommodate canvases from 3" to 48" high and adjust from tabletop use to approximately 69" high as floor displays. Each weighs approximately 7.5 pounds. With its lamp extended, each measures approximately 48" x 34" x 76" high when upright at a 90-degree angle; depth adjusts from 29" to 34" depending on the angle. Neither lamp powered on when tested with the same bulb at cataloging; the test did not establish whether the bulb or either fixture was at fault. Only one bulb is present; we are unable to ship the light bulb.

A pair of Stanrite No. 500 Classic aluminum studio easels by Testrite Instrument Co., Inc., each with a top clamp and an attached Testrite Fotolite Sela adjustable aluminum reflector lamp. The folding tripod easels have three-section telescoping legs with manual thumb-screw knobs and 21" x 1.5" adjustable canvas trays with palette holders. The easels accommodate canvases from 3" to 48" high and adjust from tabletop use to approximately 69" high as floor displays. Each weighs approximately 7.5 pounds. With its lamp extended, each measures approximately 48" x 34" x 76" high when upright at a 90-degree angle; depth adjusts from 29" to 34" depending on the angle. Both lamps tested to power on at time of cataloging; we are unable to ship the light bulbs.

A pair of Stanrite #500 Classic Aluminum Studio Easels, each with a top-mounted Testrite easel lamp. Made of aluminum by Testrite Instrument Co., Inc., the tripod easels fold flat for storage and transport. Each easel has a 21" x 1.5" adjustable horizontal canvas tray with a built-in palette holder, one with a top clamp to firmly secure vertical artwork during composition or presentation. The easels accommodate canvases from 3" to 48" in height. The three-section telescoping legs adjust from a compact tabletop height up to a full-sized floor display standing approximately 69" tall, with manual thumb-screw adjustment knobs. Each Testrite Fotolite Sela lamp has an adjustable aluminum reflector to direct light toward the artwork. Each easel with attached lamp measures approximately 48" x 34" x 76" at a 90-degree angle when upright with the light extended straight out; adjustable depth is between 29" and 34" depending on angle. Each easel weighs approximately 7.5 pounds. Both lamps tested to power on at time of cataloging; we are unable to ship the light bulbs.

Four signed Artist's Proof photographs by Alaska wildlife photographer Johnny Johnson (1947–2025). "Steller Sea Lions", c.2004, shows a colony crowded onto a steep, rocky haulout in Kenai Fjords National Park, Alaska. Tawny bodies lie together on dark ledges as surf breaks white below the rocks. "Sea Otter", c.2004, depicts an otter floating among glacial ice floes in Prince William Sound, Alaska. Its small, dark body rests on the blue water between pale pieces of ice. An untitled photograph dated 2004 follows a family of Canada geese across calm water. The birds travel close together, their reflections and small wakes breaking the otherwise still surface. "Mallards in the Mist", c.2004, shows ducks lifting from the water into a dense pink mist. Some birds remain low among the flock while others rise above it, their wings and dark silhouettes becoming faint in the colored haze. All photographs are signed and dated in the lower left corner in gold leaf ink and printed on Ilfochrome. Care information and the artist's biography appear on the reverse of two photographs. Each photograph is shrink-wrapped on board, and "Steller Sea Lions" measures approximately 16.5" x 20.5".

"King of the Loons", c.1992, is a signed photograph by Alaska wildlife photographer Johnny Johnson (1947–2025), numbered 51/950. The accompanying artwork description leaflet reads: "A yellow-billed loon in the Arctic National Wildlife Refuge prepares to shift the eggs in the nest. This photo was taken at 3 a.m. in June. The yellow-billed is the largest of all loons. They nest in lakes and ponds along the Arctic Coast." The photograph is signed, dated, and numbered in the lower right corner in gold leaf ink and printed on Fuji Crystal Archive Supergloss paper. Also included are a 1997/98 The Art of Johnny Johnson Limited Edition Ilfochrome photographs catalog, Johnny Johnson's 2013 Alaska Wildlife Calendar, and a 2004 issue of Audubon. The artwork is matted and framed under glass, measuring approximately 23.5" x 27" overall.

Two signed Artist's Proof photographs by Alaska wildlife photographer Johnny Johnson (1947–2025). "Brown Bear at Dawn", c.2004, shows a coastal brown bear wading through the Brooks River in Katmai National Park, Alaska. The bear faces the viewer in the early light, with its reflection broken by the small ripples around its legs and the dark riverbank behind it. "Brown Bear Silhouette", c.2004, depicts a bear in Naknek Lake at sunset in Katmai National Park, Alaska. The animal is a dark shape beneath a narrow band of glowing sky; red salmon break the water around it, their small airborne shapes visible against the light. Both are signed, dated, and marked A/P in gold leaf ink and printed on Fuji Crystal Archive Supergloss paper. The photographs are shrink-wrapped on board. The largest photograph measures approximately 16.5" x 20.5".

"Night Goddess", c.1995, is a signed photograph by Alaska wildlife photographer Johnny Johnson (1947–2025), numbered 380/950. The accompanying artwork description leaflet reads: "Curtains of light shimmer across a winter sky above Denali National Park Headquarters. An intense solar storm provided the energy for this brilliant display. Commonly referred to as northern lights, these moving bands of color extend from forty to several hundred miles high. They were named by Galileo in 1619 after the Roman goddess, Aurora. The way the northern lights works is a lot like a neon sign, except that in the aurora the conducting gas is in the ionosphere, instead of a glass tube, and the current travels along magnetic field lines instead of along copper tubes. Some people see a polar bear in the aurora's shape - do you see it?" The photograph is signed, dated, and numbered in the lower right corner in gold leaf ink and printed on Fuji Crystal Archive Supergloss paper. Also included are a 1997/98 The Art of Johnny Johnson Limited Edition Ilfochrome photographs catalog, an artist's biography, 2000 Alaska Stock calendar, 2000 issue of Bears magazine, and more. The artwork is matted and framed under glass, measuring approximately 31" x 23" overall.

Three signed and numbered photographs by Alaska wildlife photographer Johnny Johnson (1947–2025). "Soul Mates", c.2006, is numbered 23/950. The artist's description reads: "As this pair of trumpeter swans moved closer, I sat perfectly still along the waters edge. The lake's surface, a mirror of the fiery sunset above, rippled with a gold sheen as the swans glided into camera range. Trumpeter swans are the largest of seven swan species found worldwide. Weighing up to 35 lbs., once paired they remain together for life. Eighty percent of the trumpeter swan population nests in Alaska." "Circle of Life", c.1995, is numbered 133/950. The artist's description reads: "Near a grounded iceberg along Antarctica's Riiser-Larsen Ice Shelf, a pair of emperor penguins watch over their three-month-old chick. Standing four feet high and always impeccably dressed, the emperor penguin is by far the world's most impressive bird. They are the largest of seventeen species of penguins, and they are the only living creature to breed and over-winter on the open ice of Antarctica." "King of the Loons", c.1992, is numbered 61/950. The artist's description reads: "A yellow-billed loon in the Arctic National Wildlife Refuge prepares to shift the eggs in the nest. This photo was taken at 3 a.m. in June. The yellow-billed is the largest of all loons. They nest in lakes and ponds along the Arctic Coast." All three are signed, dated, and numbered in gold leaf ink and printed on Fuji Crystal Archive Supergloss paper. The photographs are shrink-wrapped on board; the largest photograph measures approximately 24.5" x 20.5".

"Unseen Presence", c.2005, is a signed photograph by Alaska wildlife photographer Johnny Johnson (1947–2025), numbered 36/950. The accompanying artwork description leaflet reads: "While photographing this wolf, he paused for a drink near the Toklat River in Denali National Park. It is a perfect illustration of natural camouflage. For me, this image presents the wolf as a symbol of the 'whole of nature', the unspoiled wilderness. The fresh flowing stream connects the wolf to the very essence of all life-water." The photograph is signed, dated, and numbered in the lower left corner in gold leaf ink and printed on Fuji Crystal Archive Supergloss paper. Also included are a 1997/98 The Art of Johnny Johnson Limited Edition Ilfochrome photographs catalog and an Alaska address book for the Last Frontier. The artwork is matted and framed under glass, measuring approximately 33" x 29" overall.

Two signed Artist's Proof photographs by Alaska wildlife photographer Johnny Johnson (1947–2025). "Night Goddess", c.2004, depicts green aurora moving above the winter landscape of Denali National Park. Johnson's accompanying description reads: "Curtains of light shimmer across a winter sky above Denali National Park Headquarters. An intense solar storm provided the energy for this brilliant display. Commonly referred to as northern lights, these moving bands of color extend from forty to several hundred miles high. They were named by Galileo in 1619 after the Roman goddess, Aurora. The way the northern lights works is a lot like a neon sign, except that in the aurora the conducting gas is in the ionosphere, instead of a glass tube, and the current travels along magnetic field lines instead of along copper tubes. Some people see a polar bear in the aurora's shape - do you see it?" The second work, untitled and dated c.1989, shows a grizzly sow and her spring cubs in Southcentral Alaska. The mother moves out of the dark trees into tall, sunlit grass, her small cubs staying low and close beside her. Both are signed, dated, and marked A/P in gold leaf ink and printed on Fuji Crystal Archive Supergloss paper. The photographs are shrink-wrapped on board. The largest photograph measures approximately 20.5" x 16.5".

Three signed Artist's Proof photographs by Alaska wildlife photographer Johnny Johnson (1947–2025). "Musk Oxen", c.2004, depicts a bull musk ox in a whiteout storm on Nunivak Island, Alaska. Its long, dark winter coat falls almost to the snow, and broad, pale horns frame the face as streaks of blowing snow cross the animal's body. The second work is an untitled Artist's Proof dated 2004, showing a bear striding through sunlit water. The bear's long, dark body is traced by a narrow rim of bright light, with spray rising around its paws. "Mallards in the Mist", c.2004, shows a flock of ducks on the water and taking flight into a dense pink mist. Wings and dark bodies are visible at different heights above the flock, fading into the colored air behind them. All are signed, dated, and marked A/P in gold leaf ink and printed on Fuji Crystal Archive Supergloss paper. The photographs are shrink-wrapped on board. The largest photograph measures approximately 20" x 16".

Two signed Artist's Proof photographs by Alaska wildlife photographer Johnny Johnson (1947–2025). "Polar Traveling", c.2004, follows a mother polar bear and her cubs across the ice pack of Hudson Bay in Manitoba, Canada, at sunset. The traveling family appears small against the wide field of ice, beneath long bands of purple sky. "Polar Bear Mother w/ Twin Cubs", c.2004, shows a mother comforting her yearling cubs on the icy shore of Hudson Bay, Canada. She bends her head toward the cubs, whose smaller bodies press near her chest against the pale snow. Both are signed, dated, and marked A/P in gold leaf ink and printed on Fuji Crystal Archive Supergloss paper. The photographs are shrink-wrapped on board. The largest photograph measures approximately 20.5" x 24.5".

"United We Stand", c.2003, is a signed photograph by Alaska wildlife photographer Johnny Johnson (1947–2025), numbered 160/950. The accompanying artwork description leaflet reads: "I photographed this quartet of mature bald eagles on a cold day in February along a beach in Southcentral Alaska. I used a Nikon F5 camera and a 300mm lens. I thought it was unusual to have so many eagles all looking my way at the same time. They appeared confident, proud and a little defiant - thus, the title "United We Stand"!" The photograph is signed, dated, and numbered in the lower left corner in gold leaf ink and printed on Fuji Crystal Archive Supergloss paper. It includes a 1997/98 The Art of Johnny Johnson Limited-Edition Ilfochrome photographs catalog, an artist's biography sheet and Johnny Johnson's 2006 Alaska Wildlife Calendar. The artwork is matted and framed under glass, measuring approximately 24" x 32" overall.

"In Harm's Way", c.2002, is a signed photograph by Alaska wildlife photographer Johnny Johnson (1947–2025), numbered 61/950. The accompanying artwork description leaflet reads: "Under a beautiful blue sky on a sunny June day I set up my camera along the Mikmik Creek to photograph brown bears fishing for red salmon. Late June is also the mating season for grizzly bears and I watched as a male made his advances towards a female grizzly. Just as the bear couple were getting romantic, out of the brush on the opposite bank came an enormous male grizzly. I thought there might be a confrontation so I focused my 600mm lens on the 'new' bear. Sure enough, the instant he spied the mating couple he charged them in a frightening burst of speed and power letting out a deafening roar. The mating bears split apart instantly and the male took off running for his life with the enormous 'new' grizzly in hot-pursuit. This huge carnivore was the scariest yet most magnificent bear I have ever seen in over twenty years of photographing Alaskan grizzlies. And I bet in the end he got the female!" The photograph is signed, dated, and numbered in the lower left corner in gold leaf ink and printed on Fuji Crystal Archive Supergloss paper. Also included are a 1997/98 The Art of Johnny Johnson Limited Edition Ilfochrome photographs catalog, an artist's biography sheet, and a 2003 edition of The Alaska Professional Hunter magazine. The photograph is matted and framed under glass, measuring approximately 32" x 28.5" overall.

"Denali Greets the Dawn", c.2008, is a signed photograph by Alaska wildlife photographer Johnny Johnson (1947–2025), numbered 118/950. The accompanying artwork description leaflet reads: "Sometimes rising at 5:00a.m. pays off! At the South end of Wonder Lake are some low rolling hills that offer spectacular vistas of Mt. McKinley (20,320'). My wife, Peggy was first to spot the three caribou bulls. Hidden behind some willows, I took several pics before they caught our scent and moved away." The photograph is signed, dated, and numbered in the lower left corner in gold leaf ink and printed on Fuji Crystal Archive Supergloss paper. Also included are a 1997/98 The Art of Johnny Johnson Limited Edition Ilfochrome photographs catalog and an artist's biography sheet. The artwork is matted and framed under glass, measuring approximately 18" x 21" overall.