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SUMMARY:October 2026 Art Auction
LOCATION:325 W Potter Dr.\, Anchorage\, AK 99518\, US
DESCRIPTION:Welcome to the October 2026 Art Auction hosted by Alaska Pre
 mier Auctions & Appraisals! A favorite place\, a familiar fac
 e\, a landscape that feels like home—sometimes the right pi
 ece of art is simply the one you want to see every day. With
  more than 500 lots of original paintings\, signed limited-ed
 ition prints\, photography\, Alaska Native artwork\, and decora
 tive art\, this auction offers an extensive selection for lon
 gtime collectors and anyone with an empty wall worth filling
 . Alaska takes center stage throughout the catalog\, from the
  coastlines and communities of Southeast to the mountains of
  the Interior and the hunting grounds of the Arctic\, with ad
 ditional offerings bringing international art\, Western image
 ry\, and unexpected subjects into the mix. Original artwork p
 rovides some of the auction’s most compelling discoveries.
  An original Norman Lowell painting depicts a small hunting 
 lodge beneath an expansive mountain landscape\, while Ellen H
 enne Goodale’s paintings include an Alaska Native hunter n
 avigating icy waters in an umiak\, a dog sled team\, and intim
 ate portrait studies. Scott McDaniel’s “Roadside View”
  captures autumn foliage framing Mount Redoubt\, and Teresa A
 scone watercolors include “Broken Birch\,” “Chester Cre
 ek\,” and “Waterline.” William Kimura’s mixed-media â
 €œTwo Cranes” brings a more angular\, modern composition to
  the selection\, while original works by Jim Knutson\, Merice 
 “Chas” Richner\, Ann Rutter\, and others provide further o
 pportunities to collect a distinctive piece of an artist’s
  hand. The Alaska Native art selection deserves a close look
 . Four original ink-and-wash drawings by George Ahgupuk depi
 ct hunting\, travel\, sled dogs\, and coastal life on hide supp
 orts\, including examples cataloged on seal\, caribou\, and moo
 se skin. Robert Mayokok is represented by an oil painting of
  hunters approaching walruses in an umiak\, alongside pen-and
 -ink portraits and scenes of Alaska Native life. Tom Chuna M
 cIntyre’s original “Sun and Moon” ink drawing explores
  a Yup’ik celestial narrative\, while Joseph Senungetuk’s
  “Joe’s Undersee World” woodblock print presents an ex
 pressive aquatic composition. An elder portrait by Luke Koon
 ook incorporates a bowhead whale and whale jawbone arch\, add
 ing another distinctive perspective to this varied group. Fr
 ed Machetanz collectors will find exceptional depth\, with mo
 re than 60 lots featuring his work. The selection moves thro
 ugh Arctic hunting scenes\, sled dog teams\, wildlife\, portrai
 ture\, and quieter moments of northern life. Titles include â
 €œThe Tender Arctic\,” “Whaling Lookout\,” “Trail Thro
 ugh the Pressure Ice\,” “The Nelchina Trail\,” “Moonli
 t Stakeout\,” “Golden Years\,” and “Mount Blackburn—
 Sovereign of the North.” Familiar favorites such as “Pic
 k of the Litter\,” “Togetherness\,” and “Quality Timeâ
 €� provide alternatives to the more dramatic wilderness subj
 ects. Whether you have been searching for a particular image
  or are choosing your first Machetanz print\, there is consid
 erably more here than a passing introduction. Rie Muñoz bri
 ngs color\, movement\, and humor to an extensive selection of 
 prints depicting the people\, places\, and everyday activities
  of Alaska. Offerings include “King Island\,” “Crane Le
 gend\,” “Adrift\,” “Fish Buyers\, Pelican\,” “Canner
 y Workers\, Naknek\,” and “Russian Church\, Kodiak.” Tena
 kee appears in subjects ranging from “Butchering Crab” a
 nd “Ladies in the Bath” to “Inaugural Voyage\,” while
  “Loose Dogs\, Gambell\,” “Recess\, Auke Bay School\,” a
 nd “Berry Pickers” find their stories in ordinary moment
 s. Additional prints take bidders to summer camps\, fishing c
 ommunities\, and the Iditarod trail\, with both individual wor
 ks and grouped offerings to explore. Byron Birdsall’s prin
 ts offer their own tour of Alaska\, with particular appeal fo
 r those who appreciate Anchorage history and familiar local 
 scenery. “4th Avenue Theatre\, 1947\,” “Fourth Avenue\, 1
 943\,” “Anchorage ’83\,” “Anchorage Winter\,” and â
 €œBeautiful Downtown Anchorage” place recognizable streets
  and landmarks alongside mountain views\, coastal communities
 \, and floral compositions. “Auction Day\, 1915” is an esp
 ecially fitting inclusion\, while “Blue Alyeska\,” “McKi
 nley Autumn\,” “Fireweed Mountain Triptych\,” and “Sou
 theast Sunset” broaden the selection beyond the city. For 
 collectors drawn to the intersection of art and place\, these
  works offer plenty of familiar territory. Mushing and Idita
 rod history run throughout the catalog. Numerous Jon Van Zyl
 e offerings include official commemorative posters spanning 
 several decades\, sled dog portraits\, and coordinated print g
 roups. A Fred Machetanz “Reaching the Pass” print carrie
 s the signatures of ten mushers\, including Libby Riddles\, Ri
 ck Swenson\, Dick Mackey\, and Joe May. Charles Gause’s “A
  Welcome Rest\,” additionally signed by Susan Butcher and L
 ibby Riddles\, combines a snowy checkpoint scene with a direc
 t connection to two celebrated names in the sport. Additiona
 l works by Ronilee Lynch\, Tok Hwang\, and others capture the 
 dogs\, teams\, and winter landscapes that make this subject so
  enduringly Alaskan. Wildlife collectors will find an equall
 y broad field. Robert Bateman prints include “Cougar in th
 e Snow\,” “End of Season – Grizzly\,” and “Gentoo Pe
 nguins and Whale Bones\,” while Thomas D. Mangelsen’s pho
 tography includes “Winds of Change\,” “Windswept–Biso
 n\,” and “Time for Reflection.” Works by Edwin “Ed”
  Tussey\, Charles Gause\, Doug Lindstrand\, Terry Isaac\, Judi R
 ideout\, and other artists feature mountain goats\, caribou\, h
 arbor seals\, wolves\, bears\, birds\, and more. From a quiet an
 imal portrait to an expansive wilderness scene\, the catalog 
 offers plenty of ways to bring the outdoors inside. The West
 ern and wilderness selection continues with Bev Doolittle’
 s distinctive imagery\, including “Eagle Heart\,” “The S
 entinel\,” “Sacred Ground\,” “When the Wind Had Wings\,
 ” and “Three More for Breakfast.” Howard Terpning’s 
 “Opening the Sacred Bundle\,” Paul Calle’s “Where Eag
 les Fly\,” and Stephen Lyman’s “Midnight Fire” add fu
 rther variety\, joined by works from Alfredo Rodriguez\, Morte
 n E. Solberg\, and others. These offerings range from detaile
 d figurative compositions to atmospheric landscapes and imag
 es that reward a second\, closer look. There is plenty beyond
  traditional landscape and wildlife art\, too. Dale DeArmondâ
 €™s “Illegitimi Non Carborundum!” woodcut brings a dose 
 of determined humor\, while Marianne Wieland’s embossed pri
 nts introduce texture and dimension through mountain\, botani
 cal\, and animal subjects. Nancy Taylor Stonington\, Dot Barda
 rson\, Barbara Lavallee\, Susan Pennewell Ellis\, and Annette H
 artzell contribute additional color and variety. Dianne Wido
 m’s “Bethel Woman\,” cataloged as painted in octopus in
 k\, offers an unusual medium\, while mixed-media pieces\, abstr
 act compositions\, and expressive portraits give bidders room
  to follow their own tastes. International subjects broaden 
 the catalog through prints\, reproductions\, and exhibition po
 sters featuring imagery by Marc Chagall\, Salvador Dalí\, Hen
 ri Matisse\, Pablo Picasso\, Joan Miró\, Wassily Kandinsky\, an
 d Paul Klee. Additional offerings include a Marcel Mouly lit
 hograph\, a Mikulas Kravjansky mixed-media etching\, a Chinese
  ink-and-wash painting of harvest vegetables\, and a plum blo
 ssom cloisonné enamel panel. From modernist color and surre
 alist imagery to more traditional decorative subjects\, there
  are options for rooms—and collections—with a different 
 point of view. Photography\, aviation\, and travel memorabilia
  round out the selection. M. Susan Condon’s photographic g
 roups explore landscapes\, natural textures\, minimalist compo
 sitions\, and aircraft details. Jacquie Coté Suter aviation 
 prints feature familiar northern aircraft\, including the Sup
 er Cub\, Beaver\, Otter\, Grumman Goose\, Cessna 180\, and DC-3. 
 Alaska Airlines promotional posters\, Alaska Railroad prints\,
  and Sydney Laurence travel imagery add another connection t
 o the ways people have experienced and pictured the state. S
 tained glass panels\, decorative mirrors\, and even a Warner B
 ros. “Barnyard Bully” animation sericel provide a few we
 lcome departures along the way. With framed works\, loose pri
 nts\, individual highlights\, and substantial grouped offering
 s\, this auction provides opportunities to add one meaningful
  piece or rethink an entire wall. Browse the complete catalo
 g\, review the photographs and descriptions carefully\, and ta
 ke time to explore beyond the names you already recognize. Y
 our next favorite may be the one you were not looking for. E
 very lot opens at just $5 and will be sold to the highest bi
 dder without reserve! AUCTION CLOSING: This auction opened f
 or bidding on October 1st and will begin to close on Wednesd
 ay\, October 7th at 6 p.m. AKDT. It features a soft close of 
 3 lots per minute. If a bid is placed in the final minute\, t
 hat lot will be extended an additional 60 seconds until no o
 ther bids are placed and the lot is sold.
URL:https://www.alaskapremierauctions.com/auctions/detail/bw1685
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